Lssey Miyake: Fashion Is A Magic Cloth.

"In my daily work, I will try to do something entirely new and totally different, and these things also indicate the new reality we are facing.

My work inspection standard is described in language: Making Think, Making Things, Making Reality.

Lssey Miyake, one of the greatest fashion designers in Japan, said this in his opening ceremony at the National Gallery of new art in Tokyo.

This exhibition, called "MIYAKE ISSEY EXHIBITION: The Work of Miyake Issey", is the first large-scale exhibition of his works.

The purpose of this exhibition is to display the rich and diverse clothing production and design concept of Lssey Miyake, a designer who has an important position in the world.

"His works stem from his basic belief in a piece of cloth.

For anyone who happily wears a piece of cloth designed by Lssey Miyake, he can understand and accept this belief.

These amazing fabrics can always bring us surprises, which make our daily life full of joy, our inner selves excited and excited, and also a gift for those who put on this magic cloth, no matter what nationality or age or sex she or she is.

Yayoi Motohashi, curator of Tokyo New National Gallery, told us.

In the first exhibition hall of this gallery.

A row of model models, all dressed in Lssey Miyake style clothes, were made of 365 pieces of laser cutting paper.

These pieces of paper are assembled to imitate adult shapes.

The models were dressed in Lssey Miyake's most famous designs, including a pair of underwear, printed with Janis Joplin and Jimi Hendrix tattoos, the first series of Lssey Miyake in 1970, and a 1977 wool cocoon coat made of a whole piece of material.

The second part mainly shows Lssey Miyake's exploration and Research on the relationship between clothes and body.

The model here is made of pparent resin.

The fashion show is selected from the autumn series designed by the designer in 1980, the spring series in 1982 and the autumn Series in 1983 and 1984.

Each set of clothes has been used with different techniques to shape some unexpected fabrics into clothes that can be worn.

For nearly half a century, Lssey Miyake has been inspiring us. It has added an incalculable comfort and pleasure to our life.

In this exhibition, he shared the joy of design with us and let us immerse ourselves in it.

And, more importantly, he shared the joy of life with us.

This exhibition is a message that Lssey Miyake conveys to all of us - all who have a young heart.

Motohashi concluded.

The climax of the exhibition is in third large exhibition halls.

The classic themes and fashion construction ideas that have emerged many times are displayed in front of people. "Pleats series" and "A-POC series" are the most representative works.

Dozens of models are wearing the classic styles he has designed in the past decades.

Sometimes, these clothes are even more attractive than fashion shows.

A real size machine controlled by two people shows how Lssey Miyake's famous pleats are made.

Other exhibits also include neat clothes. These clothes look like they can be molded naturally by placing them on people.

The exhibition hall is also equipped with video exhibition and interactive exhibition.

At the opening ceremony of the exhibition, he said: "such a place can not only train young generation designers, but also serve as an exchange tool for Japan, and communicate with people in big cities all over the world.

For example, in this exhibition, there are also athletes uniforms from different countries.

Some of them are on display for the first time.

The "uniform project" began in 1992, when the Lithuania national team first participated in the Olympic Games in Barcelona as an independent country after the collapse of the Soviet Union.

I see athletes crossing the bridge of hope, connecting all of us with the future.

Looking back at his works, you will easily find that he is such a person, always looking for new things and unexpected things in life.

He was very interested in inventions, and there was never any retro or nostalgia in his design.

"Many people are repeating the past, but I'm not interested. I prefer evolution and development."

When asked about past topics, he always said he preferred looking forward to the future.